By Yair Hoffman
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Extra resources for A Blemished Perfection: Book of Job in Context
On the epilogue, which involves his return from ill fortune to good, see question as to whether harmony and melody are equivalent concepts for Aristotle in this context. 18. A more extensive discussion appears in Halperin 1978: 62-65. Regarding the unity of time, Aristotle presents this as a characteristic of the tragedy (as opposed to the epic), but does not formulate it as an obligatory rule (ch. 5, 1449M2-15). Cooper concluded from this that this is not at all an aesthetic requirement of Aristotle, but only a description of the situation.
55-67) and that of ancient Near Eastern literature (pp. 67-83). 8. In his opinion, "The dialogue is a 'dramatization' of the psalm of lamentation, more accurately of the prayer of the accused placed in the frame of the narrative'. 9. He found a resemblance between ch. 38 and Papyrus Anastasi I, and thought that the 'school for training sages' was its Sitz im Leben. The fifth chapter of the present work is devoted to the relation between the book of Job and the catalogue genre. 2. Genre Distinctions 37 attributed to the corruptions and changes which the work underwent over the course of generations, as Pope thinks—a point to which I shall return further on.
In the wake of studies of earlier literature which has come down to us in fragmented form, knowledge of genre conventions has become one of the most important tools for reconstructing damaged texts. The following passage from the Ugaritic myth of Baal and Anath, for example, is based upon the reconstruction of Cassuto: [I beseech you! Call to the bullock, to his father] [El the King shall establish him] [and call to Asherah and her sons] [To Aleh and the community of her offspring] [For now Baal has not a house like the gods] 2.
A Blemished Perfection: Book of Job in Context by Yair Hoffman